Spring 2012
ALFRED HITCHCOCK AND THE BRITISH CINEMA
At the tender age of 26, in a studio in Bavaria, Alfred Hitchcock directed
his first film. In that film and the twenty-two subsequent movies he made
during his British filmmaking “apprenticeship” (before departing
for Hollywood in 1939), the talented young man found his footing as a filmmaker.
In this course, we will examine Hitchcock’s early oeuvre, tracking down
the origins of the cinematic style and thematic concerns that would win worldwide
acclaim for his later American films. We’ll also consider his early
upbringing as the Catholic son of a greengrocer in London; the influence of
his wife, Alma Reville, on his early career; and the tremendous popularity
of his films, as well as the enormous influence these movies had, particularly
within the fledgling British film industry. Among the films to be screen and
discussed: THE LODGER, his third effort as director and the first true Hitchcock
film; BLACKMAIL, Hitchcock’s --- and England’s --- first talking
film; THE MAN WHO KNEW TOO MUCH, the first and best version of the story which
Hitchcock later remade in Hollywood; THE 39 STEPS, the template for his later
American spy thrillers; and SABOTAGE, which Hitchcock made specifically to
impress Hollywood producers. We’ll view British society and culture
in the critical years before World War II through the eyes of a young filmmaker
as he expanded his filmmaking craft and developed his unique style.
Access course materials by linking to the appropriate handouts:
Hitchcock's Films & Cameo Appearances
Hitchcock DVDs in Class Portable Library
Alfred Hitchcock: Themes & Style
Hitchcock's British Collaborators
Alfred Hitchcock: Chronology of His Life
THE MAN WHO KNEW TOO MUCH: 1934 vs. 1956
Hitchcock's American Films with British Settings
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